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15 Photos With Creepy Backstories - [TRIGGER WARNING! Real Horrific stories with images]
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scaredyet.net/wp-content/uploads/2014/08/Mademoiselle-Blanche-Monnier-the-woman-held-captive-by-her-mom-and-brother-for-25-years-300x300.png


Sometimes, the truth is scarier than fiction. This photograph (yes, photograph, not CGI) is of Blanche Monnier, a French lady who was kept hostage for 24 years in a locked, covered room where she was forced to live in her own waste. She was rescued in 1901, after the police received a letter detailing how a lady was being held hostage in France.

The unknown letter read, to some degree:
Monsieur Attorney General: I have the honor to inform you of an exceptionally serious occurrence. I speak of a spinster who is locked up in Madame Monnier’s house, half starved, and living on a putrid litter for the past twenty-five years – in a word, in her own filth.”


The letter astonished the police. They went to the home and discovered an anorexic Blanche Monnier lying in a pool of excrement and trash on a couch in an upstairs room. The 55-pound, 49-year old Blanche was hiding under the sheets, terrified. She had not seen sunlight in 24 years. A witness to her discovery described it:

We immediately gave the order to open the casement window. This was done with great difficulty, for the old dark-colored curtains fell down in a heavy shower of dust. To open the shutters, it was necessary to remove them from their right hinges. As soon as light entered the room, we noticed, in the back, lying on a bed, her head and body covered by a repulsively filthy blanket, a woman identified as Mademoiselle Blanche Monnier. The unfortunate woman was lying completely naked on a rotten straw mattress. All around her was formed a sort of crust made from excrement, fragments of meat, vegetables, fish, and rotten bread. We also saw oyster shells and bugs running across Mademoiselle Monnier’s bed. The air was so unbreathable, the odor given off by the room was so rank, that it was impossible for us to stay any longer to proceed with our investigation.


Read the rest of the story at: Scaredyet.com

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newsfromthespiritworld.files.wordpress.com/2012/04/amityville-ghost-boy-pic-hq-lutz-haunting.jpg


The Amityville Horror haunting is still a very popular subject both inside and outside the circle of paranormal researchers and enthusiasts.

It is the story of the Lutz family, who went through a nightmarish twenty-eight days inside the house at 108 Ocean Ave in 1975 has become known world wide. The house had previously been the residence of the DeFeo family about a year or so before the Lutz’s moved in, that is until twenty-three year old Ronald DeFeo murdered both his parents in their beds as well as his four siblings: Dawn (eighteen years old), Marc (twelve) and John Matthew (Nine).

Since the Lutz’s fled the ‘Horror House’, the story of what occurred to the family in less then a month’s time in Long Island has been turned into a book, made into a movie and spawned the name of a famous fictional horror movie franchise.

Read more at: News From The Spirit World

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media.aphelis.net/wp-content/uploads/2013/12/LIFE_1948_12_27_Tereska_p16-620x842.jpg


Tereska, a child in a residence for disturbed children, grew up in a concentration camp. She drew a picture of home on the blackboard. Poland, 1948
©1996 from the Estate of David Seymour

The original caption reads as follow:

Children’s wounds are not all outward. Those made in the mind by years of sorrow will take years to heal. In Warsaw, at an institute which cares for some of Europe’s thousands of “disturbed” children, a Polish girl named Tereska was asked to make a picture of her home. These terrible scratches are what she drew.


When it was reproduced on the cover of the UNESCO Courier of February of 1949, the photo of Tereska was accompanied by the following captions:

Tereska, a small girl at a special school for war-handicapped children recently constructed in Warsaw, Poland, was asked to draw her house and family. She produced this representation of her confused mind ― wavering chicken-track lines crisscrossing each other. What is it that she sees when the teachers say “draw a house”? Is it the memory of terror and the fact or ruins? Are not chicken-track lines of this little child’s drawing but the reflection of an uprooted life, the mirror of disorder and chaos which the war has strewn over Europe?


Read More at: aphelis.net

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Redigeret af Dare2think on 27-02-2015 00:04
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